Nicolas’s review published on Letterboxd:
This time the final cut.
Not sure I can really tell the difference between versions but still a masterpiece.
Breathtaking photography and especially set design, the oneiric music of Vangelis, and a truly engaging story with nuances that have triggered endless debates between moviegoers about which camp they are on (I am defo on the damn-right-of-course-he-is side).
So you see, it does not really matter which version/cut you go for.