Nicolas Patron

Favorite films

  • Look Back
  • Cure
  • Strange Darling
  • The Reconstruction

All
  • Ballerina

    ★★★½

  • Fountain of Youth

    ★★★

  • The ant²

    ★★

  • Sicario

    ★★★★

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Warfare

2025

★★★★ Watched

A visceral unflinching and hyperrealistic fly on the wall look into a situation a SEAL platoon finds itself in 2006 in Ramadi, Iraq; a story written from the memories and s of those involved during that incident.
There is little useful dialogue for the audience to decipher unless one is versed in military jargon, so what we get is sounds whether subtle ones like dogs barking on the background or fighter planes that fly through streets at low altitudes as…

PlayTime

1967

★★★★ Watched

Prepare yourselves for a cinematic rollercoaster that will leave you questioning the very fabric of reality - and possibly your sanity. “Playtime” is a masterpiece of organized chaos, a symphony of architectural anarchy that will have you laughing, crying, and possibly considering a career change to become a professional cubicle designer.
In this concrete jungle, our hero Monsieur Hulot navigates a labyrinth of glass, steel, and bureaucratic nonsense with all the grace of a bull in a china shop -…

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Ballerina

2025

★★★½ Watched

When life gives you ice-skates, blow up some heads.

Fountain of Youth

2025

★★★ Rewatched

Watched it again because the others hadn’t seen it whilst it was over a week since I last saw Eiza Gonzales and I was getting withdrawal symptoms.

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Dinner for Few

2015

★★★★½ Watched

The elite (judges, politicians, high priests, etc) are pigs devouring and depleting resources, chained to their power chair, leaving leftovers to the ones below until there is nothing left. But when everything is expended, the ones below rebel and take over Until they become pigs and the cycle starts all over.
But all this on shaky ground and there is a finite number of cycles left...
A brilliant animated allegory of a society designed to serve the greedy few.

1917

2019

★★★★ Watched

Beautifully and skilfully shot and stitched together to feel as a one continued/unbroken take, giving a more personal feeling to this story. The score added significantly to the dramatic feel as did the amazing cinematography with special mention to the spectacular visual play of shadows and light in the heavily bombed out village of Écoust-Saint-Mein.
It does feel like the film was made with awards in mind and this is clear in the extent of the set, the extras, the costumes and the impressive choreography which must have taken forever to get spot on with the result being hauntingly spectacular.